Shoes have always been more than protective coverings that help us navigate the world. Footwear can be a functional work of art that helps us express who we are. The objects in this section speak to the range of creativity and hand-crafting skills that elevate a simple shoe into something more. Designed using stunning textiles, intricate adornment, unique forms, and striking color and texture combinations, these shoes become wearable sculptures.
The shoe story you see here begins with a pair of handcrafted eighteenth-century New England shoes made from flower-adorned silk. It ends in the present day, with a pair of rhinestone-adorned Gucci sneakers that intentionally blur the line between high style and function. Although fashion trends, materials, and shoemaking techniques have changed dramatically in the three centuries represented here, the desire to adorn one’s feet with dazzling shoes remains.
Footwear also inspired the innovative and artful materials used to sell shoes throughout the nineteenth and twentieth centuries. Works of art in their own right, these trade cards, advertisements, and prints capture the appeal of the colorful, and often whimsical, methods of promoting New England shoemakers and retailers.
Fashion through the Decades
Shoe Stories includes footwear from the eighteenth century until today. Click on each era to see a pair of shoes from that time. Which one would you wear?
- 1770-1790
- 1800-1820
- 1830-1840
- 1855-1865
- 1885-1895
- 1890-1900
- 1910-1920
- 1920-1930
- 1935-1945
- 1955-1965
- 1980-1990
- 1990-2000
- 2010-2020
- 2020 – present
1800-1820
Shoes, I. Burrill (eighteenth to nineteenth centuries), Lynn, Massachusetts, 1790-1800. Silk, wood, leather, cotton. Estate of Miss Frances Greely Stevenson.
1830-1840
These one-of-a-kind men’s wedding slippers were likely made by Haverhill cordwainer Samuel Phillips for his marriage to Ednah Kimble in 1824. An experienced shoemaker who probably learned the trade from his father, Samuel adorned these shoes with small, colored, leather appliques in shapes that represented his and Ednah’s lives, individually attaching them with strands of horsehair. Houses, livestock, trees, and flowers embody the couple’s world. Even the bottom of the sole was a place to display his artistry and his hopes and dreams for his future with Ednah. Incised and darkened on the bottom of each shoe are the figures of a man and woman and two homes—symbolizing the joining of Samuel and Ednah’s households. Displaying nineteenth-century Americans’ love of the classical world, each heel features a peacock, which was the symbol for Hera, the Greek goddess of marriage.
Men’s Wedding Shoes, Likely Samuel Phillips (1799-1859), Haverhill, Massachusetts, ca. 1830. Leather, cotton, horsehair. Buttonwoods Museum.
1910-1920
While the sneakers in this picture were manufactured around 2015, the style of Chuck Taylor All Star Sneakers (commonly known as “Chucks”) has changed very little since the company began manufacturing them in 1908.
Chuck Taylor All Star Sneakers, Converse, Inc. (founded 1908), Boston, Massachusetts, ca. 2015. Cotton, metal, rubber, canvas. Gift of Adam Osgood.
1920-1930
Evening Slippers, Thayer McNeil Company (ca. 1860-1960), United States, 1928. Silk brocade, metallic thread, leather, wood, metal. Estate of Pauline Condon.
1935-1945
In the first half of the twentieth century, I. Miller was perhaps the best know footwear company in the United States. Based in New York City, I. Miller was known for stylish and high-quality women’s shoes. What few people outside of the footwear industry knew though, was that many of their products were made in Haverhill, Mass.
Platform Sandals, I. Miller (1895-1970), Haverhill, Massachusetts and New York, New York, ca. 1940. Leather, wood, steel, brass. Jimmy Raye Collection.
1955-1965
Mr. Seymour Shoes was known as the “jewelry shoemaker” due to its use of lavish crystals, rhinestones, and metal adornments. This pair, fully encrusted with aurora borealis rhinestones, was likely bedazzled by hand at Quinn Enterprises. A family business in Portland, Maine, Quinn Enterprises was one of the many businesses that supplied ornamentation, hardware, and packaging to shoemakers. These shoes, which feature thousands of tiny, round rhinestones carefully adhered by hand one at a time, allow the shoes to shimmer and shine with every step.
Aurora Borealis Rhinestone Pumps, Mr. Seymour Shoes (ca. 1955-70) and Quinn Enterprises (twentieth century), Haverhill, Massachusetts, and Portland, Maine, ca. 1955-64. Rhinestones, leather, acrylic. Gift of Stuart Weitzman.
1980-1990
“Gumball” Kitten Heel Flats, Stuart Weitzman for Mr. Seymour Shoes, New York, New York and Spain, ca. 1980. Leather, wood, acrylic, synthetic fiber, cotton. Gift of Stuart Weitzman.
1990-2000
Shoes, Karo’s Shoes, Inc. (founded 1996), United States, 1990-2000. Acrylic, suede, marabou feathers, vinyl. Gift of Stephen K. Desroches. Shoe generously sponsored by Margaret McNeill.
2010-2020
SB Dunks Low “Orange Lobster” Sneakers, Nike (founded 1964) and CNCPTS (founded 1996), Eugene, Oregon, and Boston, Massachusetts, December 2022. Leather, rubber, nylon, foam, cotton. Museum Purchase.
2020 – present
Contemporary designers are harnessing novel and exciting technologies to address issues of sustainability, providing alternatives to traditional animal-based shoe materials such as leather. Shoes and fashion accessories are being made from mushroom leather and pineapple fiber. The material of this shoe is from Worcester-based laboratory SpadXTech, which has pioneered a new form of bio-leather that is grown from bacteria.
Sustainable Shoe, Rancourt & Company for SpadXTech, Lewiston, Maine, 2026. Bio-leather.
Gallery of Artful Objects
Fashion Feature: Heels
This section of the exhibition focuses on a particularly sculptural element of artful footwear, the heel. Architectural, whimsical, physics defying, meaningful, or eye catching, the heels in this feature make a statement.